Recent acquisitions

Art on Paper

From 27 January to 29 April 2018

A selection of nearly one hundred works on paper, recently acquired by the Fondation Custodia, is now on public display.

Presentation

Jan Frans van Bloemen, known as Orizzonte (Antwerp 1662-1749 Rome)
View of Vignanello in the Roman Countryside, c. 1740
Pen and brown ink, with grey and brown wash, over traces of black chalk. – 369 × 540 mm
inv. 2011-T.37

A collection is like a building, each of its elements contributes to the strength of the whole. This was the philosophy of Frits Lugt (1884-1970), art historian emeritus, dealer, collector and founder of the Fondation Custodia. Frits Lugt was particularly fond of work on paper – drawings, prints, artists’ letters – which soon came to constitute the heart of his collection, as well as its focal point. The Fondation Custodia’s attachment to graphic art is therefore part of its identity, as the scope and extent of its collection proves; the numerous exhibitions devoted to work on paper organised by the Fondation endorse this attachment.

After Watteau to Degas (2010) and Un cabinet particulier (2010), the Fondation Custodia is staging a new exhibition devoted to its collection of graphic art, this time putting the emphasis on a selection of about one hundred recently-acquired works.

Louis Jean Desprez (Auxerre 1743-1804 Stockholm)
Promotion Médicale, c. 1790
Etching, with watercolour.
555 × 880 mm
inv. 2016-P.2

The intention is to display a part of the collection of drawings, prints and letters belonging to the Fondation Custodia in Paris which normally can only be viewed by appointment. The works on paper are particularly fragile and are released from their storage boxes only very infrequently, during a consultation. This exhibition is therefore also a means of highlighting an acquisition policy, as demanding as it is sustained, which makes the Fondation Custodia one of the most dynamic privately-run museums in France.

Gerard van Honthorst (Utrecht 1592-1656 Utrecht)
The Four Elements: Air
Pen and brown ink, with grey wash and some red chalk, heightened with opaque white, over a sketch in black chalk, on greyish-brown cartridge paper. – 387 × 263 mm
inv. 2016-T.12

In order to stimulate dialogue between techniques, genres, centuries and Schools, the show is organised thematically. It also reflects the presence of the genres that were most dear to Frits Lugt: landscapes, artists’ portraits, the human condition, cabinets of curiosities and contemporary re-interpretations.

The great majority of the selected works are on display here for the first time. For example, the drawing by Jan Frans van Bloemen, of exceptional size, the preparatory drawing for a prestigious commission for a painting by Prince Ruspoli for his Roman palazzo. Or the huge, strange etchings, hand-coloured by the artist and architect Louis Jean Desprez himself.

The Four Elements series by Gerrit van Honthorst belongs to another very important period and reveals a relatively unknown aspect of the career of the Dutch Caravaggesque painter, his work as a decorator.

Augustus John (Tenby 1879-1961 Fordingbridge)
Fierce Head, (Self-Portrait), 1906
Etching. – 211 × 170 mm
inv. 2017-P.6

The English school of engraving is represented by a hypnotic self-portrait by Augustus John as intense as it is bold in its execution.

Jakob Demus (Vienna 1959)
Two Pieces of Lapis Lazuli, 2009
Watercolour, over a sketch in graphite. – 381 × 560 mm
2014-T.66

The exhibition is also the opportunity to present contemporary work, recently acquired for the collections of Fondation Custodia, for example a masterly print by the Viennese artist Jakob Demus, a diamond-point engraving on copper, a rare technique of which he is today the sole exponent.

Practical Information

From 27 January to 29 April 2018

Address

Fondation Custodia / Collection Frits Lugt
121, rue de Lille - 75007 Paris
France
Tel: +33 (0)1 47 05 75 19
coll.lugt@fondationcustodia.fr
www.fondationcustodia.fr

Access by public transport

Metro: Assemblée Nationale (line 12) or Invalides (lines 8 and 13)
RER C: Invalides or Musée d’Orsay
Bus: lines 63, 73, 83, 84, 94, Assemblée Nationale
Vélib’: station opposite (n° 7009)

Opening hours

Every day except Monday, from 12 to 6 pm

Admission charges

Admission charges 10 € (full) / 7 € (reduced)
The reduced rate is available to seniors (over 60), unemployed people, groups of at least 10 people

Free admission: students, press card, ICOM card, disabled person’s card

The ticket gives access to all three exhibitions