Press Releases and Images

Exhibitions from 8 October 2022 to 8 January 2023

Nineteenth-century French Drawings from the Fondation Custodia
Léon Bonvin (1834–1866). Drawn to the Everyday
(7 June 2022)

Press release Nineteenth-century French Drawings
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Press release Léon Bonvin. Drawn to the Everyday
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Images available to the press

Nineteenth-century French Drawings from the Fondation Custodia

1. Antoine Berjon (1754 – 1843), Portrait of a Man in Profile
Black chalk and white chalk on blue-grey paper. – 354 × 285 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2013-T.2
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2. Fortuné Delarue (active circa 1794), Ciceri Family, 1829
Pen and black ink, watercolour and gouache over graphite. – 185 × 238 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2021-T.68
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3. François Marius Granet (1775 – 1849), Terrace in Castellar, 1846
Watercolour over a sketch in graphite. – 165 × 241 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2022-T.71
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4. Achille Benouville (1815 – 1891), View of Lake Nemi with the Town of Genzano in the Background
Watercolour, gouache, black chalk and pen and brown ink. – 375 × 567 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2010-T.6
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5. Jean-Auguste-Dominique Ingres (1780 – 1867), Portrait of Julie Forestier, 1806
Graphite, heightened with watercolour and white gouache on wove paper. – 90 × 72 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2004-T.32
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6. Théodore Rousseau (1812 – 1867), The Oak of the Reine Blanche, circa 1860
Charcoal, heightened with white chalk on prepared canvas. – 1180 × 888 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 1995-T.5
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7. Lionel Le Couteux (1847 – 1909), Rocky Coast by the Sea
Black chalk heightened with white chalk on grey-green paper. – 393 × 524 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 1992-T.24
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8. Eugène Isabey (1803 – 1886), View of a Village on the Normandy Coast
Watercolour, gouache, point of the brush and black ink over black chalk. – 257 × 350 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 1993-T.7
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9. Rosa Bonheur (1822 – 1899), The Marshes, circa 1860
Watercolour. – 244 × 384 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2019-T.52
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10. Gustave Doré (1832 – 1883), View of the Forest at Westbridge, 1879
Watercolour and gouache over graphite. – 744 × 625 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 1987-T.9
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11. Auguste Cabuzel (1836 – 1909), Landscape with an Estuary
Charcoal and stump on wove paper. – 214 × 274 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2020-T.22
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12. James Tissot (1836 – 1902), The Cloakroom, circa 1885
Graphite. – 339 × 426 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2019-T.25
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Léon Bonvin (1834–1866). Drawn to the Everyday

1. Portrait of Léon Bonvin
Daguerreotype
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2019-A.214
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2. Léon Bonvin (1834-1866), Road in the Plain of Vaugirard, 1863
Pen and brown ink, watercolour. – 212 × 162 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2009-T.5
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3. Léon Bonvin, The Plain of Vaugirard, 1856
Black chalk and stumping. – 175 × 266 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2008-T.8
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4. Léon Bonvin, Portrait of the Artist’s Father, 1856
Black chalk on beige paper. – 224 × 170 mm
Paris, musée d’Orsay, inv. RF 1937
Photo © RMN-Grand Palais (musée d’Orsay) / Tony Querrec
Service presse/Fondation Custodia
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5. Léon Bonvin, A Cook in a Red Apron in the Inn at Vaugirard, 1862
Pen and brown ink, watercolour and gouache over traces of graphite and gum arabic. – 208 × 162 mm
Baltimore, The Walters Art Museum, inv. 37.1505
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6. Léon Bonvin (1834-1866), Still Life with Pomegranate, 1864
Pen and brown ink, watercolour over traces of graphite and gum arabic. – 245 × 187 mm
Baltimore, The Walters Art Museum, inv. 37.1664
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7. Léon Bonvin (1834-1866), Bouquet of Violets, 1863
Pen and brown ink, watercolour over traces of graphite. – 191 × 154 mm
Zurich, Collection Walter Feilchenfeldt
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8. Léon Bonvin (1834-1866), Rose Bud in front of a Landscape, 1863
Pen and brown ink, watercolour and gouache over traces of graphite and gum arabic. – 246 × 187 mm
Baltimore, The Walters Art Museum, inv. 37.1530
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9. Léon Bonvin, Winter Landscape, Hoar Frost, 1865
Graphite, watercolour and white gouache. – 201 × 266 mm
Département des Hauts-de-Seine, musée du Grand Siècle, Donation Pierre Rosenberg
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10. Léon Bonvin, Self-Portrait, 19 January 1866
Pen and brown ink, watercolour heightened with white gouache. – 136 × 110 mm
Fondation Custodia, Collection Frits Lugt, Paris, inv. 2016-T.38
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11. François Bonvin (1817-1887), View of the Bar in the Inn at Vaugirard
Pen and brown ink, watercolour. – 219 × 168 mm
New York, private collection
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