Press Releases and Images Exhibitions from 8 October 2022 to 8 January 2023 Nineteenth-century French Drawings from the Fondation CustodiaLéon Bonvin (1834–1866). Drawn to the Everyday(7 June 2022) PDF Press release Nineteenth-century French Drawings Download (2.1 Mb) PDF Press release Léon Bonvin. Drawn to the Everyday Download (2 Mb) Images available to the press Nineteenth-century French Drawings from the Fondation Custodia JPEG 1. Antoine Berjon (1754 – 1843), Portrait of a Man in Profile Black chalk and white chalk on blue-grey paper. – 354 × 285 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2013-T.2 Download (2.4 Mb) JPEG 2. Fortuné Delarue (active circa 1794), Ciceri Family, 1829 Pen and black ink, watercolour and gouache over graphite. – 185 × 238 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2021-T.68 Download (2.1 Mb) JPEG 3. François Marius Granet (1775 – 1849), Terrace in Castellar, 1846 Watercolour over a sketch in graphite. – 165 × 241 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2022-T.71 Download (2.2 Mb) JPEG 4. Achille Benouville (1815 – 1891), View of Lake Nemi with the Town of Genzano in the Background Watercolour, gouache, black chalk and pen and brown ink. – 375 × 567 mm Fondation Custodia, Collection Frits Lugt, Paris, inv. 2010-T.6 Download (2.7 Mb) JPEG 5. Jean-Auguste-Dominique Ingres (1780 – 1867), Portrait of Julie Forestier, 1806 Graphite, heightened with watercolour and white gouache on wove paper. – 90 × 72 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2004-T.32 Download (1.8 Mb) JPEG 6. Théodore Rousseau (1812 – 1867), The Oak of the Reine Blanche, circa 1860 Charcoal, heightened with white chalk on prepared canvas. – 1180 × 888 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 1995-T.5 Download (3.1 Mb) JPEG 7. Lionel Le Couteux (1847 – 1909), Rocky Coast by the Sea Black chalk heightened with white chalk on grey-green paper. – 393 × 524 mm Fondation Custodia, Collection Frits Lugt, Paris, inv. 1992-T.24 Download (2.6 Mb) JPEG 8. Eugène Isabey (1803 – 1886), View of a Village on the Normandy Coast Watercolour, gouache, point of the brush and black ink over black chalk. – 257 × 350 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 1993-T.7 Download (2.7 Mb) JPEG 9. Rosa Bonheur (1822 – 1899), The Marshes, circa 1860 Watercolour. – 244 × 384 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2019-T.52 Download (3 Mb) JPEG 10. Gustave Doré (1832 – 1883), View of the Forest at Westbridge, 1879 Watercolour and gouache over graphite. – 744 × 625 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 1987-T.9 Download (2.9 Mb) JPEG 11. Auguste Cabuzel (1836 – 1909), Landscape with an Estuary Charcoal and stump on wove paper. – 214 × 274 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2020-T.22 Download (2.4 Mb) JPEG 12. James Tissot (1836 – 1902), The Cloakroom, circa 1885 Graphite. – 339 × 426 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2019-T.25 Download (2.6 Mb) Léon Bonvin (1834–1866). Drawn to the Everyday JPEG 1. Portrait of Léon Bonvin DaguerreotypeFondation Custodia, Collection Frits Lugt, Paris, inv. 2019-A.214 Download (2.7 Mb) JPEG 2. Léon Bonvin (1834-1866), Road in the Plain of Vaugirard, 1863 Pen and brown ink, watercolour. – 212 × 162 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2009-T.5 Download (2.4 Mb) JPEG 3. Léon Bonvin, The Plain of Vaugirard, 1856 Black chalk and stumping. – 175 × 266 mm Fondation Custodia, Collection Frits Lugt, Paris, inv. 2008-T.8 Download (2.4 Mb) JPEG 4. Léon Bonvin, Portrait of the Artist’s Father, 1856 Black chalk on beige paper. – 224 × 170 mmParis, musée d’Orsay, inv. RF 1937Photo © RMN-Grand Palais (musée d’Orsay) / Tony QuerrecService presse/Fondation Custodia Download (3.3 Mb) JPEG 5. Léon Bonvin, A Cook in a Red Apron in the Inn at Vaugirard, 1862 Pen and brown ink, watercolour and gouache over traces of graphite and gum arabic. – 208 × 162 mmBaltimore, The Walters Art Museum, inv. 37.1505 Download (2.9 Mb) JPEG 6. Léon Bonvin (1834-1866), Still Life with Pomegranate, 1864 Pen and brown ink, watercolour over traces of graphite and gum arabic. – 245 × 187 mmBaltimore, The Walters Art Museum, inv. 37.1664 Download (2.9 Mb) JPEG 7. Léon Bonvin (1834-1866), Bouquet of Violets, 1863 Pen and brown ink, watercolour over traces of graphite. – 191 × 154 mmZurich, Collection Walter Feilchenfeldt Download (2.7 Mb) JPEG 8. Léon Bonvin (1834-1866), Rose Bud in front of a Landscape, 1863 Pen and brown ink, watercolour and gouache over traces of graphite and gum arabic. – 246 × 187 mmBaltimore, The Walters Art Museum, inv. 37.1530 Download (2.7 Mb) JPEG 9. Léon Bonvin, Winter Landscape, Hoar Frost, 1865 Graphite, watercolour and white gouache. – 201 × 266 mmDépartement des Hauts-de-Seine, musée du Grand Siècle, Donation Pierre Rosenberg Download (3 Mb) JPEG 10. Léon Bonvin, Self-Portrait, 19 January 1866 Pen and brown ink, watercolour heightened with white gouache. – 136 × 110 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2016-T.38 Download (2.7 Mb) JPEG 11. François Bonvin (1817-1887), View of the Bar in the Inn at Vaugirard Pen and brown ink, watercolour. – 219 × 168 mmNew York, private collection Download (2.5 Mb)
Press Releases and Images Exhibitions from 8 October 2022 to 8 January 2023 Nineteenth-century French Drawings from the Fondation CustodiaLéon Bonvin (1834–1866). Drawn to the Everyday(7 June 2022) PDF Press release Nineteenth-century French Drawings Download (2.1 Mb) PDF Press release Léon Bonvin. Drawn to the Everyday Download (2 Mb) Images available to the press Nineteenth-century French Drawings from the Fondation Custodia JPEG 1. Antoine Berjon (1754 – 1843), Portrait of a Man in Profile Black chalk and white chalk on blue-grey paper. – 354 × 285 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2013-T.2 Download (2.4 Mb) JPEG 2. Fortuné Delarue (active circa 1794), Ciceri Family, 1829 Pen and black ink, watercolour and gouache over graphite. – 185 × 238 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2021-T.68 Download (2.1 Mb) JPEG 3. François Marius Granet (1775 – 1849), Terrace in Castellar, 1846 Watercolour over a sketch in graphite. – 165 × 241 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2022-T.71 Download (2.2 Mb) JPEG 4. Achille Benouville (1815 – 1891), View of Lake Nemi with the Town of Genzano in the Background Watercolour, gouache, black chalk and pen and brown ink. – 375 × 567 mm Fondation Custodia, Collection Frits Lugt, Paris, inv. 2010-T.6 Download (2.7 Mb) JPEG 5. Jean-Auguste-Dominique Ingres (1780 – 1867), Portrait of Julie Forestier, 1806 Graphite, heightened with watercolour and white gouache on wove paper. – 90 × 72 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2004-T.32 Download (1.8 Mb) JPEG 6. Théodore Rousseau (1812 – 1867), The Oak of the Reine Blanche, circa 1860 Charcoal, heightened with white chalk on prepared canvas. – 1180 × 888 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 1995-T.5 Download (3.1 Mb) JPEG 7. Lionel Le Couteux (1847 – 1909), Rocky Coast by the Sea Black chalk heightened with white chalk on grey-green paper. – 393 × 524 mm Fondation Custodia, Collection Frits Lugt, Paris, inv. 1992-T.24 Download (2.6 Mb) JPEG 8. Eugène Isabey (1803 – 1886), View of a Village on the Normandy Coast Watercolour, gouache, point of the brush and black ink over black chalk. – 257 × 350 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 1993-T.7 Download (2.7 Mb) JPEG 9. Rosa Bonheur (1822 – 1899), The Marshes, circa 1860 Watercolour. – 244 × 384 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2019-T.52 Download (3 Mb) JPEG 10. Gustave Doré (1832 – 1883), View of the Forest at Westbridge, 1879 Watercolour and gouache over graphite. – 744 × 625 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 1987-T.9 Download (2.9 Mb) JPEG 11. Auguste Cabuzel (1836 – 1909), Landscape with an Estuary Charcoal and stump on wove paper. – 214 × 274 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2020-T.22 Download (2.4 Mb) JPEG 12. James Tissot (1836 – 1902), The Cloakroom, circa 1885 Graphite. – 339 × 426 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2019-T.25 Download (2.6 Mb) Léon Bonvin (1834–1866). Drawn to the Everyday JPEG 1. Portrait of Léon Bonvin DaguerreotypeFondation Custodia, Collection Frits Lugt, Paris, inv. 2019-A.214 Download (2.7 Mb) JPEG 2. Léon Bonvin (1834-1866), Road in the Plain of Vaugirard, 1863 Pen and brown ink, watercolour. – 212 × 162 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2009-T.5 Download (2.4 Mb) JPEG 3. Léon Bonvin, The Plain of Vaugirard, 1856 Black chalk and stumping. – 175 × 266 mm Fondation Custodia, Collection Frits Lugt, Paris, inv. 2008-T.8 Download (2.4 Mb) JPEG 4. Léon Bonvin, Portrait of the Artist’s Father, 1856 Black chalk on beige paper. – 224 × 170 mmParis, musée d’Orsay, inv. RF 1937Photo © RMN-Grand Palais (musée d’Orsay) / Tony QuerrecService presse/Fondation Custodia Download (3.3 Mb) JPEG 5. Léon Bonvin, A Cook in a Red Apron in the Inn at Vaugirard, 1862 Pen and brown ink, watercolour and gouache over traces of graphite and gum arabic. – 208 × 162 mmBaltimore, The Walters Art Museum, inv. 37.1505 Download (2.9 Mb) JPEG 6. Léon Bonvin (1834-1866), Still Life with Pomegranate, 1864 Pen and brown ink, watercolour over traces of graphite and gum arabic. – 245 × 187 mmBaltimore, The Walters Art Museum, inv. 37.1664 Download (2.9 Mb) JPEG 7. Léon Bonvin (1834-1866), Bouquet of Violets, 1863 Pen and brown ink, watercolour over traces of graphite. – 191 × 154 mmZurich, Collection Walter Feilchenfeldt Download (2.7 Mb) JPEG 8. Léon Bonvin (1834-1866), Rose Bud in front of a Landscape, 1863 Pen and brown ink, watercolour and gouache over traces of graphite and gum arabic. – 246 × 187 mmBaltimore, The Walters Art Museum, inv. 37.1530 Download (2.7 Mb) JPEG 9. Léon Bonvin, Winter Landscape, Hoar Frost, 1865 Graphite, watercolour and white gouache. – 201 × 266 mmDépartement des Hauts-de-Seine, musée du Grand Siècle, Donation Pierre Rosenberg Download (3 Mb) JPEG 10. Léon Bonvin, Self-Portrait, 19 January 1866 Pen and brown ink, watercolour heightened with white gouache. – 136 × 110 mmFondation Custodia, Collection Frits Lugt, Paris, inv. 2016-T.38 Download (2.7 Mb) JPEG 11. François Bonvin (1817-1887), View of the Bar in the Inn at Vaugirard Pen and brown ink, watercolour. – 219 × 168 mmNew York, private collection Download (2.5 Mb)