Press release Exhibitions February 2017 (4 January 2017)
- Drawings for Paintings in the Age of Rembrandt
- Reading Traces. Three centuries of drawing in Germany

Press release Acquisition Letters by Manet (24 January 2017)


Press contacts

Communications Director :
Gaëlle de Bernède
gaelledebernede@gmail.com
Tel.: +33 (0)1 75 43 46 80

For the Netherlands and Belgium :
Noepy Testa
noepy@entesta.nl
Tel. : +31 (0)6 29 14 10 54

Director Fondation Custodia :
Ger Luijten
coll.lugt@fondationcustodia.fr
Tel.: +33 (0)1 47 05 75 19



Images Available to the Press
Drawings for Paintings in the Age of Rembrandt


1. Dirck Hals (1591-1656)
Seated Man, Smoking, 1622-1627
Brush and brown ink with oil containing paint, heightened with white, over a sketch in black chalk on paper, 277 x 178 mm
© Rijksmuseum, Amsterdam, inv. RP-T-1965-180


2. Jacob van Ruisdael (1628/29–1682)
View over Amsterdam and the IJ, c. 1665
Black chalk, gray wash, on paper, 86 x 152 mm
© Rijksmuseum, Amsterdam, inv. RP-T-1960-116


3. Jacob van Ruisdael (1628/29–1682)
Panoramic View of Amsterdam, Its Harbor, and the IJ, c. 1665-1670
Oil on canvas, 41.5 x 40.7 cm
© Private Collection, England, on loan to the National Gallery, London, inv. l1052


4. Cornelis Bega (1631/32–1664)
The Alchemist, c. 1663
Black chalk with white heightening on blue paper, 173 x 142 mm
© Museum Mayer van den Bergh, Antwerp, inv. mmb.1049


5. Cornelis Bega (1631/32–1664)
The Alchemist, 1663
Oil on canvas mounted on panel, 35 x 28.6 cm
© National Gallery of Art, Washington, from the collection of Ethel and Martin Wunsch, inv. 2013.34.1


6. Pieter Saenredam (1597–1665)
St. Bavo, Haarlem, View in the Choir, 1636
Pen and gray wash on paper, 480 x 370 mm
© Haarlem Municipal Archive, inv. 53−001702 g


7. Pieter Saenredam (1597–1665)
The Choir of the St. Bavo in Haarlem, 1636
Oil on panel, 49 x 36.6 cm
© Fondation Custodia, Collection Frits Lugt, Paris, inv. 396


8. Balthasar van der Ast (1593/94–1657)
Study of a Tulip (Admirael Pottebacker) and a Fly, 1620-1630
Gouache, watercolor, and tempera on paper, 313 x 202 mm
© Fondation Custodia, Collection Frits Lugt, Paris, inv. 6534/42


9. Balthasar van der Ast (1593/94–1657)
Flower Still Life, c. 1630
Oil on panel, 37.2 x 24.5 cm
© Rose-Marie and Eijk Van Otterloo Collection


10. Rembrandt Harmensz van Rijn (1606–1669)
St. John the Baptist Preaching, 1634/1635
Oil on canvas, attached to panel, 63 x 81.3 cm
© Staatliche Museen, Berlin, Gemäldegalerie, inv. 828 k


11. Rembrandt Harmensz van Rijn (1606–1669)
Studies of Standing Scribes for the Painting ‘St. John the Baptist Preaching’
Pen and brown ink on paper, 167 x 195 mm 
© Staatliche Museen, Berlin, Kupferstichkabinett, inv. kdz 3773


12. Rembrandt Harmensz van Rijn (1606–1669)
Listeners for the painting ‘St. John the Baptist Preaching’
Pen and brown ink, brown wash, and some opaque white, on paper, 189 x 125 mm
© Staatliche Museen, Berlin, Kupferstichkabinett, inv. kdz 5243


13. Rembrandt Harmensz van Rijn (1606–1669)
Two Studies of St. John for the Painting ‘St. John the Baptist Preaching’
Red chalk on paper, 176 x 186 mm
© Courtauld Gallery, Seilern Collection, London, inv. d 1978pg.182


14. Cornelis Saftleven (1607–1681)
Sleeping Hunter, 1642
Black chalk and gray wash on paper, 169 x 238 mm
© Maida et George Abrams Collection, Boston


15. Cornelis Saftleven (1607–1681) and Herman Saftleven (c. 1609−1685)
Sleeping Hunter in a Landscape, 1642 or later
Oil on panel, 36.8 x 52 cm
© Maida et George Abrams Collection, Boston


16. Aelbert Cuyp (1620–1691)
Landscape with Herdsmen, c. 1650-1652
Oil on panel, 48 x 82.5 cm
© National Gallery of Art, Washington, Corcoran Collection (William A. Clark Collection), inv. 2014.79.707


17. Aelbert Cuyp (1620–1691)
Calcar with Monterberg in the Distance, early 1640s
Black chalk, gray wash, green and ochre yellow watercolor, partly brushed with gum arabic, on paper 185 x 495 mm
© The Metropolitan Museum of Art, New York, Promised Gift, inv. 2005.330.4


18. Aelbert Cuyp (1620–1691)
Studies of a Cow and a Horse, c. 1650
Black chalk, brush in grey wash, traces of pencil on paper, 84 x 125 mm
© Fondation Custodia, Collection Frits Lugt, Paris, inv. 458


19. Adriaen van Ostade (1610–1685)
Peasants Dancing in a Tavern, 1659
Oil on panel, 44.1 x 60.3 cm
© Saint Louis Art Museum, Friends Fund, inv. 147.1966


20. Adriaen van Ostade (1610–1685)
Dancing Man, c. 1659
Black and white chalk on light brown paper, 144 x 75 mm
© Rijksmuseum, Amsterdam, purchased with the support of the F.G. Waller-Fonds, the Belport Familienstifung and a contribution from J.A.Z. Count van Regteren Limpurg Bequest, inv. RP−T−1981−237


21. Adriaen van Ostade (1610–1685)
Dancing Figures, c. 1659
Black chalk, pen and brown ink, on paper, 132 x 267 mm
© Hamburger Kunsthalle, Hamburg, inv. 22304



Images Available to the Press
Reading Traces. Three centuries of drawing in Germany


1. Pietro Candido (c. 1548-1628)
Sketches of Boys Playing Musical Instruments
Black chalk and charcoal, pen and black ink, heightened with white, on ochre paper, 195 x 310 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


2. Johann Wolfgang Baumgartner (1702-1761)
Saint Florian and the Element of Fire, c. 1750
Pen and brush with grey and black ink, heightened with white, 475 x 694 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


3. Johann Heinrich Wilhelm Tischbein (1751-1829)
Illustration for 'Le Roman de Renart': Renart Led to the Gibbet
Watercolour, pen and black ink, 240 x 380 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


4. Philipp Otto Runge (1777-1810)
The Triumph of Amor, 1800
Pen, brush and grey ink, 265 x 396 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


5. Philipp Otto Runge (1777-1810)
Two Ears of Corn, c. 1808
Pen and black ink, 293 x 234 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


6. Julius Schnorr von Carolsfeld (1794-1872)
The Flight of Jacob, 1829
Pen and brown ink over a sketch in red chalk on vellum, 220 x 258 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


7. Julius Schnorr von Carolsfeld (1794-1872)
Study of a Young Woman Leaning Forward, c. 1820
Graphite, black chalk, heightened with white, on grey-green paper, 326 x 443 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


8. Gustav Heinrich Naeke (1786-1835)
Portrait of the Artist Heinrich Reinhold (1788-1825) in Profile
Graphite, 146 x 94 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


9. Erwin Speckter (1806-1835)
Bernard Neher and Erwin Speckter in their Studio in Rome, 1831
Watercolour over a sketch in graphite, 192 x 249 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


10. Carl Julius Milde (1803-1875)
Female Nude inside Ornamental Foliage in Pompeian Style
Watercolour, 219 x 268 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


11. Ernst Ferdinand Oehme (1797-1855)
River Landscape at Dawn, 1840
Watercolour, 140 x 204 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London


12. Albert Venus (1842-1871)
View of the River Tiber near the Ponte Molle in the Roman Campagna, 1866
Watercolour over a sketch in graphite and black chalk, 256 x 417 mm
© Private collection / Photograph: Johannes von Mallinckrodt, London



Previous

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Press release in French
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